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One of the stories she shares is about a writer who never leaves the house without promising to return "with a face." Of course, he already has a face of his own, but he needs to remember lots more to create characters. I tried it today when I went to the grocery store. (If you're reading carefully, you might notice I go to the store a lot. I have a fresh bread fetish. Plus I don't plan.) I often set mental assignments for myself when I run errands--working out plot problems, etc--but I've never just shown up and let my intuition do the work for me, hunting and gathering ideas as I'm hunting and gathering food.
So there I was consulting the produce person about which were the crispest, sweetest apples when some other customer comes over to ask a question and proceeds to give her unsolicited opinion about the merits of Braeburn apples. I thought she was kind of rude, until I noticed she had a distinctive facial feature I haven't used yet, which I won't mention here because Portland is smaller than you'd think.
I then bought something called Jazz apples, which I liked, even though they don't taste anything like jazz.
While I'm on the subject of creativity, here's a little essay I wrote about The Artist's Way.
2 comments:
I have always wanted to read this. Thanks for the endorsement. I've never known anyone who read it.
I'm loving it. In fact, yesterday I opened it up and was immediately struck with inspiration for a new piece that I'll pitch to NPR. Like I said, the best book on creativity since The Artist's Way, which I should be receiving a royalty from since I buy/recommend so many copies.
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